Well-meaning coaches everywhere are telling actors to treat their careers like a business. We’re told to be the “CEO of our own Company”. We’re expected to spend a minimum number of hours working hard at our business. But working towards a bottom line “at all costs” is a prescription for anxiety and depression.
It’s what happens when a person finds themself to be the only person who’s survived a tragic event. This past year, in spite of the pandemic, my auditions have surprisingly increased. Sometimes I feel guilty that I don’t feel guilty about this, so I try keep it to myself. Are you keeping the good things in your life a secret?
As soon as I came back from my family vacation, I was hit hard with non-stop auditions. In July, I had fifteen of ’em in nineteen days, including two callbacks (see video above). Some say it’s not cool to mention this when so many actors are suffering dry spells, but attempting to control other people’s feelings is a losing game.
As Creatives, we often feel the pressure of having to prove what we’ve accomplished, especially at holiday gatherings. Consider this alternative:
Instead of listing what we’ve done
(or going down that rabbit hole of what we’ve
not done), let’s reflect on what we’ve
It is our life experiences, not our accomplishments, that make us who we are. Think about that.
Think about all the cool stuff you experienced last year – in the last decade – that has brought real impact to your life and is responsible for the awesome person you are. Look at your favorite photos. The best ones reflect experiences, not activities.
When we look at what we want to achieve in the next decade, we can choose to either be in a state of anticipatory delight or in a state of aggressive control. Our daily routines can either be filled with aliveness or crammed with forced discipline.
Every day, I am delighted to discover new, unplanned opportunities: auditions, table reads, theatre productions, showcases, interviews, etc. Actually booking a job is just the icing on the cake!
Let’s create 2020 Goals that make us giggle at the possibilities, ones that are free of promises to “do better”. When we play with setting career goals – I’m talking full-on play – we always end up having fun.
Last year December 26th, I hosted a FaceBook Live event titled, What’s the Big Deal About Pilot Season?. Today I noticed that my talk not only still hits the mark, but I am now living proof of it. In the video, I said that Pilot Season had become artificially hyped up, and so I challenged viewers to take on the rest of the year just as seriously. I pointed out that being proactive can be as simple as just showing up.
Back in March, I was on a treadmill of episodic callbacks but no bookings. (I know, I know, a good problem to have.) As I was allowing self-doubt, anger, and fear to rule my mental health, I got another audition. This one fueled my anger. After all of the great auditions I had, I couldn’t believe I was being asked to go in for a “one-liner”. I couldn’t believe that after auditioning for educated, professional roles, I was being asked to go in for a Latina housekeeper.
Piss off, I’m not going!
Today’s topic: “What’s the Big Deal About Pilot Season?” Ask yer questions!
Posted by Doreen Calderon on Tuesday, December 26, 2017
As soon as I had expressed that thought, I knew it wasn’t practical, but I also knew I needed to change my attitude. I reached out to a friend, and asked her to remind me why I should show up for this one. Very simply, she pointed out that I needed to meet the casting director, and that I needed a job. Practical and impersonal. That’s all I needed to hear.
I was so busy, that I didn’t notice that this was a pilot audition. When I booked it, I forgot that this was my first pilot! Long story short, my story beat the odds. The series got picked up, and I’ve been called back three times (so far). It’s exciting for me to be a part – regardless how small – of a successful new show.
Here’s the thing: I didn’t go through pilot season wanting to book one. I just focused on booking a job. There’s a saying, “Shoot for the stars, and you’ll land on the moon.” In my case, I shot for the moon and landed on a star.
And the only thing I did was show up.
Booking a pilot doesn’t have to be your goal, but you must have a goal. Your choice will determine your actions. No choice, no action. Where you end up can be a very pleasant surprise!
- New Headshots!
- Acting Classes!
- Image Makeovers!
- New Representation! etc. etc. etc.
Many actors hold a misconception that pilot season is only for those who have top representation or who are series regular material. (Whatever that means.) There’s this idea that booking a pilot is better than any other acting job. People move cross country every winter, spending a year’s savings on a three month gamble.
It’s time to demystify pilot season. Companies use the tantalizing prospect of booking a pilot as bait to sell their product. Look, either you need new headshots, classes, an agent or not. Ask yourself, What do I need to support my career right now?
Booking a pilot as a co-star or guest star can be just like any other acting gig. Yes, it’s fun to be on the ground floor of something new – something that could be the nation’s next big hit – but at the end of the day, it’s just solid work. So if your goal is to book solid work, then forget about the term, “pilot season”, collect what you need, and do what you need to do – now. If you can’t figure out what that is, then ask yourself, What do I really want? Your answer will guide yo
When I first moved to Los Angeles from Chicago, I had no plan, no agent, nor any connections. Within the year, I booked three major network co-stars and a national commercial. I tend to “jump off the edge” so to speak, exhilarated to see what happens next. Hence my love for improv.
for my theatre company’s fundraiser, and it brought down the house. I had the movements, the music, the voice and the outfit – none of which I had the month prior. A veteran company member stared at me backstage and softly said, “I bet you put 110% into everything you do.”
My career coach has a saying: “Part-time actors produce part-time results.” In 2015, I was years into a dry spell that left me financially dependent on my boyfriend, and sadly, the relationship was no longer working. Not knowing where I was going to live or how I was going to support myself, I ended the relationship. I hired a coach. I fully committed to my career, and showed up to the world in a way I hadn’t before. In eighteen months, I added five more network credits, two national commercials, and signed with a better agent.
If we circle around in our heads, trying to figure out the “how to’s” of this and that, we create obstacles that weren’t even there before. Nowadays, everyone is trying to sell us the “Top 10 Secrets of How To – (fill in the blank)”. We know people who collect these “secrets”, who have a personal library filled with “how to” instruction manuals, but it doesn’t bring them any closer to their goal. The truth? Solutions appear when we go all in.
|The Greek Theatre|